All these library assets need to conform to new multiplatform specs. There is a current backlog of thousands of pieces, made before new ways of watching TV emerged, like FAST channels, TV Everywhere sites and O&O apps. THE ROLE: The Multiplatform Post-Production Project Manager 3PPW is critical to our 2023-24 initiative to make our multiplatform content library usable on new platforms. This position will be primarily remote, but will need to come into our NYC as needed Ability to clearly communicate, support and maintenance issues with outside system engineers Adapt to changed situations or changing demands, and adjust priorities quickly as circumstances dictate (including emergencies) Able to learn and master archiving protocols for shows and company media for future retrieval Strong skills tracking and organizing archival and acquired footage assets Experience with High performance media servers - NAS, Nexis Archive media and projects for future rebuilding and retrieval Prepare the show offline sequences for delivery to online/finishing facility Orchestrate proper labeling, syncing and grouping techniques required by the production's needs Accountable for all media including proper ingest, media location etc. Sets up and organizes edit projects according to the specific needs of the production 3 years Avid Media Composer experience with Lead AE for at least 1 year Maintaining Expensify accounts for production and travel receiptsīuilding call sheets and travel itinerariesĬreating and maintaining documents in our cloud drive Management of each show in project management tool. Ordering craft services for pickup by crews in the fieldīuilding and rectifying budgets for each event Sourcing and ordering gear and supplies for rent and/or purchase for events across the countryĬoordinating and ordering lunch orders for crews in the field Growing company is recruiting for someone to grow with the company.īooking travel and hotels for small to medium sized crews (5-12 people) Position is mostly in-office Mid-Town Manhattan. Hyper organized and quick learner with processesĪble to handle high pressure situations calmly and efficientlyĪble to communicate efficiently in remote OR in-office environments Working knowledge of production process and video/audio equipment Strong interest in pop culture is a plus.īusy live streaming events company needs assistant coordinator. Must work well with a team setting but also individually and unsupervised. Excellent communication skills with the ability to adapt to an evolving shorthand. Understanding of audio and video signal standards as well as media file standards (employer will train the right candidate). Working understanding of data networks and network components (routers, switches, VLANs), including TCP/IP, web services, and SAMBA. Knowledge of Mac and PC workstations and their components with a focus on Windows. Strong understanding of G Suite tools and administration. Strong understanding of video and audio concepts. Ability to manage their time effectively to execute tasks on schedule. Minimum of 1 to 2 years of experience in technology support-related fields. College or University degree in broadcast, electronics/computer science, and/or relevant work experience. Be available by phone during the evening, night, or weekend on a rotating basis with other team members. Properly document encountered problems and their solutions. Maintain database detailing receipt and deployment of user equipment. Maintain up-to-date knowledge of IT assets and processes. Provide on-site technical support to production and administrative users five days a week. The ideal candidate demonstrates solid technical knowledge in networking and computing while embodying professionalism, thoroughness, and attention to detail. The role of Studio Assistant requires a motivated person having analytical tendencies, who can navigate a complex and dynamic environment and is eager to broaden their skill set in the video production space.
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